Hailing from Anderson, South Carolina, Chadwick Boseman is an accomplished actor, scriptwriter and playwright who, until now, was probably best known for portraying the character Nate on the critically-acclaimed dramatic TV series Lincoln Heights. Prior to entering show business, Chad Boseman earned degrees at Howard University and the British American Dramatic Academy at Oxford.

Here, he talks about playing Jackie Robinson opposite Harrison Ford and Nicole Beharie in 42, a biopic about the late Hall of Famer’s historic breaking of Major League Baseball’s color barrier back in 1947.

Kam Williams: Hi Chad [Boseman], thanks for the interview.

Chad Boseman: Nice to talk to you, Kam [Williams].

KW: Editor/Legist Patricia Turnier [of www.megadiversities.com] says: I appreciate the opportunity to ask you a question, especially because everything changed for Jackie Robinson in my hometown of Montreal. What did it mean to you to portray Jackie Robinson and how did you prepare for the role?

CB: It’s just a great honor to play him. In order to portray him, I basically paid attention to three different aspects of the role. First, the physical aspect of baseball, and his five-day-a-week workout regimen starting with Spring Training in the middle of January all the way to May. Secondly, I studied Hall of Fame footage of Jackie so that I could emulate his batting stance, how he took leads, how he ran bases, the arm slide he used in certain situations, and his fielding style.

Thirdly, there was the question of how to attack the role. I didn’t want to just do an imitation. I wanted to interpret it while remaining faithful to the script and [director] Brian Helgeland’s vision.  The research also included reading, and talking to Jackie’s widow, Rachel  [Robinson], and his daughter, Sharon [Robinson], in order to deliver the most authentic interpretation of him possible.

KW: Documentary filmmaker Kevin Williams asks: Was the role at all intimidating to you? Did you feel any pressure to get Jackie [Robinson] right, given his importance in history?

CB: Yes, because Jackie [Robinson] is a hero to people from so many walks of life whose reverence for him is often based on different interpretations of who he was. I also felt a certain amount of responsibility to give an accurate account of his life and the person that he was for the benefit of the youth who don’t know him. But I still felt a great responsibility to Rachel Robinson and his family. She has carried on his legacy for decades, and she’s carried the torch for this film. So, my main goal was to do right by her.

KW: Peter Brav says: You were absolutely awesome in the role. My 85 year-old mother, a concentration camp survivor, embraced the Brooklyn Dodgers when she came to this country in 1946. She saw 42 and hasn't stopped talking about how you ARE Jackie in the movie. Prior to auditioning, how much of the Jackie Robinson story did you know?

CB: I knew his story since I was a kid. My parents told me stories about him. And I learned about him, Martin Luther King and other civil rights leaders at church. I didn’t know anything about Jackie’s personality, or the specifics about his family or where he came from. So, I went into the audition with very limited knowledge of the facts that you would need to play him.

KW: Kate Newell asks: In doing this film, what did you find out about Jackie Robinson that surprised you the most?

CB: I was surprised that he was considering quitting baseball just before he was signed by the Dodgers’ GM Branch Rickey [played by Harrison Ford]. He had become disenchanted with barnstorming across the country in the Negro League for several reasons: he often had to play several games a day; there were a lot of places where African-Americans couldn’t stop to eat, sleep, buy gas or even use the bathroom; and he wasn’t being paid enough at a time when the most important thing to him was taking care of his family. I was also surprised that baseball was only his fourth best sport. He had greatness in him already. He was an All-American football player, a great basketball player, and he could’ve gone to the Olympics in track and field. Jackie was a better athlete than his brother Mack who had been a silver medalist behind Jesse Owens in the 200 Meters at the ’36 Olympics in Berlin. So, Jackie was well aware of his talents but felt very frustrated by the fact that there was no place in the United States at that time where a Black man could fully actualize himself. Fortunately, baseball became that place where he could reach his full potential, although he might have achieved it in other sports. But that frustration of his potentiality almost made Jackie [Robinson] quit.

KW: Harriet Pakula-Teweles says: Jackie Robinson encountered extraordinary obstacles on account of the color of his skin pursuing his professional baseball career. Have you encountered similar obstacles in your acting career?

KB: Well, you don’t get the same opportunities as White actors. Every year, Hollywood is looking for that new, White leading man and new White starlet that audiences fall in love with. But they’re not looking for the next Denzel Washington, Will Smith or Sidney Poitier. Some of that is due to the fact that even in our educational process we’re taught history from a totally Eurocentric perspective. And so it’s no surprise that we grow up to value European literature. Since we don’t value our own history, African-American stories don’t get made into movies as much. Your being the protagonist or the hero is not a fundamental part of our culture. That’s what I run up against trying to get cast as an actor, and that’s what I feel needs to change. It’s very difficult to make strides to play big roles in big movies when our culture doesn’t support it and therefore the movies can’t.

KW: What did you major in at Howard, Acting or Black Studies?

CB: I majored in directing. However, I did spend some time at the Schomburg Center for Research in Black Culture in Harlem, so I am somewhat well-versed in African Studies.

KW: If you could have one wish instantly granted, what would that be for?

CB: One wish instantly granted? Woo! I would love for my grandmother and my sister to have been able to see this movie. They both passed.

KW: My condolences Chad [Boseman]. Thanks again for the time, and best of luck with 42.

CB: Thank you, Kam [Williams].

Filmography:

Year Film

2004 Date
2006 Ladylike
2008 The Express
2013 42
2013 The Kill Hole

Television

Year Title

2003 Third Watch
All My Children
2004 Law & Order
2006 CSI: NY
2008 ER
2008 Cold Case
2008–2009 Lincoln Heights
2009 Lie to Me
2010 Persons Unknown
2011 Castle
2011 Fringe

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About the author of this interview: Kam Williams is a syndicated film and book critic who writes for 100+ publications around the U.S., Europe, Asia, Africa, Canada, and the Caribbean. He is a member of the New York Film Critics Online, the NAACP Image Awards Nominating Committee, and Rotten Tomatoes. He is a contributor to TheLoop21.com, eurweb.com and so on.  He is also a columnist for our webmag www.megadiversities.com.  One of his interviews made recently the cover of Heart and Soul magazine.  Some of Kam Williams' articles are translated into Chinese and Spanish.  In 2008, he was Voted Most Outstanding Journalist of the Decade by the Disilgold Soul Literary Review.  In addition, he has been honored at the U.N. (for BMORENEWS GLOBAL FORUM ON WOMEN’S EMPOWERMENT) on June 15th 2012 by the Foundation for the Support of the United Nations (FSUN). Williams is an erudite Attorney who holds a BA in Black Studies from Cornell University, an MA in English from Brown University, an M.B.A. from The Wharton School, and a J.D. from Boston University. Kam Williams is a member of the Bar in NJ, NY, CT, PA, MA & US Supreme Court bars. He lives in Princeton, (New Jersey) with his wife and son. Kam Williams can be reached at  This e-mail address is being protected from spambots. You need JavaScript enabled to view it .